The intensity of a color relative to its own brightness. Colours are said to be saturated when they have a strong hue and high intensity.
The small, non-essential text that appears on an interface. It has been set up specifically to be short and concise to draw attention to an essential user experience.
One or more words (typically at the end of a paragraph) that are separated from the rest of the text. Orphans are generally thought of as bad design, but it’s a matter of taste.
A collage consisting of images, colours and text that is assembled to convey an idea or theme.
Text that flows from right to left and is the default reading direction of a page with its content aligned on the right margin.
A name, symbol or other distinctive feature that distinguishes one business's product from another's, often associated with a logo, design, slogan and other items.
A measure of the height of a set of text on an element.
Usually the first functional form of a new product, created to test a concept or prove out some aspects of design.
The study of how colours are related to one another. It is about how we see colour, mix and modify it (according to our needs), and put colour together to achieve the desired mood or atmosphere.
A design style first introduced by Microsoft Design Language based on minimalism and simplicity. This newer trend focuses on reducing nonsensical designs and makes the content more accessible for all users.
In this way of designing, fewer elements are used to create shapes and less emphasis on gradients and textures. This modern trend moves away from skeuomorphism. Instead, it focuses on a realistic view or illustration with buttons and icons appearing flat with no shadows.
The art of drawing original characters and symbols — especially for decorative purposes.