Contrast in design can be accomplished by placing two opposite colours adjacent to one another, creating a focal point within the design that dominates the composition.
A graphical representation of a scenario, usually created and presented in sequence.
The process of arranging objects in a consistent and even spatial relationship. It can refer to how text is aligned with respect to its margins or how any two or more things are aligned in general.
Contrast in design can be accomplished by placing two opposite colours adjacent to one another, creating a focal point within the design that dominates the composition.
A colour that appears to be pure and lacks any lightness (or tone) or saturation.
A unit for defining the size of a font. It's not a distance; this unit's measurement is only relative to the typeface's design.
A well-known cognitive psychologist's principle that says that the time it takes to make a decision varies logarithmically according to the number of choices. As more options are presented, more decision time is required due to the mental work of comparing and contrasting each potential option.
A psychological phenomenon that states that people tend to remember unfinished or interrupted tasks better than completed tasks.
The part of a letter, usually a vertical line, that rise above the x-height.
The area of negative space around and between elements in a design.
Also known as an Ishikawa diagram, is a widely used technique in project management. The diagram provides a means of evaluating the cause-and-effect relationship between the various activities necessary for completing a project by visualising all activities in the project as bones that interconnect on an anterior and posterior spine, with causality flowing from one to another.